“Mitchell is a skilled storyteller…and her delivery gives an emotional complexity that welcomes and even demands repeated listens.” Pitchfork
“Currently a well-kept secret, Mitchell is writing material that stands comparison with the great singer-songwriters of the past few decades” Daily Telegraph
Anaïs Mitchell is first and foremost a storyteller. As a Vermont-based singer-songwriter, Mitchell recorded for Ani Difranco’s Righteous Babe Records for several years before starting her own Wilderland label in 2012. Among her recorded works are five full-length albums, including 2010’s sensationally-reviewed Hadestown– a folk opera based on the Orpheus myth– and 2012’s Young Man in America, which was described by the UK’s Independent as ‘an epic tale of American becoming’ and for which she received a BBC Radio Two Folk Award nomination for Best Original Song.
Mitchell has headlined worldwide as well as supporting tours for Bon Iver, Ani Difranco, The Low Anthem (all of whom appear as guest singers on Hadestown), Richard Thompson, Josh Ritter and Punch Brothers. Her most recent release, Child Ballads, a collaboration with Jefferson Hamer, is a collection of traditional Celtic and British Isles ballads, and is nominated for two BBC Radio Two Folk Awards including Best Album.
If there’s a common thread in Mitchell’s work– from her earliest acoustic records, to the Hadestown opera, to this new chapter– it’s that she’s as interested in the world around her as the one inside her. She has a way of tackling big themes with the same emotional intimacy most artists use to describe their inner lives. “That’s why,” as one journalist put it, “even in her most intimate moments, she never sounds like a confessional songwriter.”