Electronic outfit, Jaw Gems, is a Portland, Maine-based collective of young, experimental producers bringing beat-music—traditionally programmed and played on samplers—to a live band setting. Combine legendary beat-makers like J Dilla and Flying Lotus with indie rock and electronic icons like Deerhunter and Washed Out, add Radiohead’s dreamy ambience and you begin to approach what is Jaw Gems.
“Dilla is the common thread for how we all met and how we began playing together.” Says keyboardist Hassan Muhammad. “Not many people in Portland knew about him seven years ago, so through various friends we were all pointed out to each other and we were blessed with the opportunity to hold a weekly residency at a bar, playing all the stuff we liked and getting increasingly weird.”
Since their start in 2009 the band has been exploring sonic and rhythmic ideas that emphasize interlaced melodies and heavy grooves. First outfitted solely with dueling vintage synthesizers, a drummer, and an electric bassist, Jaw Gems have now incorporated a Roland sp404 and the Juno 106 analog synth, going on to employ the beat-repeating, sample-warping technologies of the present to help create their wall of sound. Armed with new gear, Jaw Gems were able to evolve their beats, trigger intricate samples, and alter sounds in an increasingly advanced way. “You can do so much with these devices and we all have our own ways of using them” muses Muhammad.
This August, Jaw Gems will release their second album, HEATWEAVER via STS9’s 1320 Records. The 14-tracks create a thickly-layered transcendental auditory world—a meticulously crafted collection grounded in a modern electronic aesthetic. HEATWEAVER melds neck-breaking hip-hop, bright synthesizers, and nostalgic atmospheres, while simultaneously touching on elements of psychedelic funk, neo-soul, and punk-rock.
Jaw Gems’ likes to keep their recording relaxed, and their creative process diverse. Setting up shop in a makeshift home studio, the band hunkered down and let their songs come to life over the span of a week. “We like to make a retreat out if it” says drummer DJ Moore. “Making music is how we chill, and the album naturally unfolded once we were all committed to being in the same place together for some time.” The title itself came from thinking of the album visually. “We thought abut what images the music evoked throughout the whole process, and when “heatweaver” was said it was something we all felt embodied our sound.”
Put four beat makers in a room together for a week, and the pour-out of ideas could be endless. “As we develop as individual musicians each of our sounds morph and evolve in different ways, so when we come together to record we all bring something new to build upon.” (Moore.) In this case, Jaw Gems was left with a solid compilation attesting to their evolution as tenacious genre-bending producers. “Jaw Gems have done the magic trick of delivering a thoroughly listenable instrumental album that you can also sing along to” says electronic musician Daedelus.
Perhaps it’s this uninhibited sound that has also attracted the likes of other notable musicians: T3 of J Dilla’s Slum Village calls HEATWEAVER “mad fresh.” Lettuce drummer, Adam Deitch says, “The swing that J Dilla made famous on an MPC beat machine in the late 90s is embedded in Jaw Gems’ musical DNA, just as much as soul and funk.” Lyle Divinsky of Colorado’s The Motet has declared them his “new favorite band” and describes their sound as “a completely unique brew of hip-hop, jazz, funk, avant-garde, and classical music, steeped in originality and psychedelia.”
Since the release of their debut album, Blades Plural, Jaw Gems has gone on to share stages with icons such as STS9, Lettuce, and Daedelus. Stay tuned for a full tour announcement coming soon.